Friday, November 17, 2017
Thursday, November 16, 2017
Format: DVD from Sycamore Public Library on laptop.
I’m probably one of the last horror fans to watch Saw. Out of respect to those reading this, I’ll get all of the puns out of the way. Before this, I hadn’t seen Saw, but now I have seen Saw. Yes, I saw Saw. The next time I see Saw it will be the second time I’ve seen Saw. If someone asks me if I’d like to see Saw I can say that I saw Saw. Sorry for that.
The chances are very good that you’ve already seen this, which means I don’t need a great deal of plot breakdown. I’ll make this quick, something aided greatly by the fact that Saw doesn’t have a huge plot. Two men, photographer Adam (Leigh Whannell) and surgeon Dr. Lawrence Gordon (Cary Elwes) wake up in a large, filthy bathroom. They are each chained by an ankle to a pipe on opposite sides of the room. Between them is a corpse holding a microcassette recorder and a pistol.
Wednesday, November 15, 2017
Format: DVD from Sycamore Public Library on laptop.
There are a lot of things you can say about George Romero. His ideas are often better than his films, for instance. That’s probably why a lot of his movies end up getting remade. Even some of his less well-known films get that treatment, hence the 2010 remake of The Crazies. In truth, while this is a remake of Romero’s original, The Crazies could just as easily be its own movie. This is not a film that breaks a great deal of new ground.
So let’s take a look at the tropes that we’re dealing with here. A plane crashes in the middle of nowhere (the middle of nowhere, Iowa, in this case) carrying some deadly biological weapon. That deadly biological weapon seeps into the local town’s water supply, and suddenly the residents are becoming infected. A part of the infection is insane, murderous behavior. I’m guess that based on the few sentences above you have thought of at least a dozen movies that follow the same basic idea. That said, it’s important to realize that Romero’s original 1973 version of this story might well be the first that has all of these elements in it, although he certainly borrowed heavily from The Andromeda Strain.
Tuesday, November 14, 2017
I didn’t really feel like watching a movie today. That’s not something I say that often.
Over the last several days/weeks/feels like forever, allegations of sexual misconduct/abuse have come out against people in the entertainment industry. Virtually all of these have been verified or admitted. More are almost certainly going to come. Beloved figures are being toppled with likely more pillars of the entertainment industry set to fall as well. As painful as all of this is, it’s necessary. This is something that needed to happen and has been needed, clearly, for a long time.
Monday, November 13, 2017
Here Comes Mr. Jordan (winner)
Hold Back the Dawn
How Green Was My Valley
The Little Foxes
The Maltese Falcon
Sunday, November 12, 2017
Format: DVD from NetFlix on laptop.
I’ll be blunt: Little Women was not made with me in mind. I went into this dreading it for one specific reason. It wasn’t the name and it wasn’t the plot. It was specifically because of my experience with the 1933 version, which I disliked a lot. Much of that was due to an unrestrained and unhinged performance from Katherine Hepburn, who was still early in her career and hadn’t yet learned how to be subtle. The word was that this version of the story was much less flighty than the earlier one, so I had some hope. It also has a good cast front to back, so that was a bonus as well.
But still, this is not a movie made for me. It’s a movie that I fully expected to (and, in fact, do) recognize as good and well-made, but made for an audience very different from yours truly. It is beautifully made and sumptuously costumed, and looks at least in some respects like a Merchant-Ivory production. This is all to its credit. Because of this, a great deal of what follows in this review is almost certainly just me complaining about watching a movie that isn’t the sort of movie that I enjoy watching. Please, take that to heart. Little Women is almost certainly better than I think it is.
Saturday, November 11, 2017
Format: DVD from Northern Illinois University Founders Memorial Library on laptop.
I’ve avoided Still Alice until now for a variety of reasons. The essential plot of Still Alice is the story of a woman with early-onset Alzheimer’s disease, and quite frankly Alzheimer’s terrifies me. There are a few things in the world that truly scare me beyond comprehension. The idea of having my mind slip away is absolutely one of them. If my mind is more or less the essential core of who I am, having that slowly deteriorate bit by bit, like waves lapping at a sand castle is almost incomprehensibly terrifying. Worse, our main character Alice (Julianne Moore) is diagnosed in the film at exactly the age I am right now. That she is also a linguist and a professor hits home, too.
The type of Alzheimer’s Alice has is genetic, and that hits home, too, although not mentally. We discovered a number of years ago that my father carries a genetic blood disorder called factor V Leiden that vastly increases the chances for blood clots. We discovered this when my dad had hip replacement surgery. The surgery went fine; the blood clot that followed almost killed him. He’s subsequently had blood clots in his lungs, although he’s still fine and surprisingly healthy for a man in his 80s. Finding out that there’s something in your body that you can’t do anything about and might kill you is a sobering moment. I’ve been checked—I don’t have it, although one of my brothers and one of my sisters does.